Wings In August 1971, Seiwell and guitarist/singer Denny Laine joined Paul and Linda McCartney to record Paul's third post-Beatles project on Apple Records. The result was Wild Life, released December 7. It was the first project to credit Wings as the artist. In an attempt to capture the spontaneity of live performances, five of the eight songs on Wild Life were first takes by the band. However, the record left music critics cold. The band name is said to have come to McCartney as he was praying in the hospital while Linda was giving birth to their second child together, Stella McCartney. Paul McCartney recalled in the film Wingspan that the birth of Stella was "a bit of a drama"; there were complications at the birth and that both Linda and the baby almost died. He was praying fervently and the image of wings came to his mind. He decided to name his new band Wings. In late 1971, McCartney added ex-Spooky Tooth guitarist Henry McCullough, a native of Northern Ireland, to the line-up of Wings and returned to touring, mounting an impromptu tour of U.K. universities and later a tour of small European venues (with the group driving around in a van), playing no Beatles numbers.] In February 1972, Wings released a single called "Give Ireland Back to the Irish", a response to the events of Bloody Sunday. The song was banned by the BBC for its anti-Unionist political stance and only mentioned in chart rundowns on BBC Radio 1 as "a record by Wings". Despite its limited airplay, it reached #16 in the United Kingdom, as well as #1 in The Republic of Ireland and #1 in Spain. Partly in reaction to the ban, Wings released a children's song, "Mary Had a Little Lamb", as its next single. However, Wings followed that with November 1972's "Hi, Hi, Hi", which was again banned by the BBC, this time for its alleged drug and sexual references. The B-side, "C Moon", was played instead. The single made it into the Top 5 in the United Kingdom and the Top 10 in the United States. In late 1972, McCartney re-christened the band Paul McCartney and Wings for the 1973 album Red Rose Speedway, which yielded the first U.S. #1 Wings hit, the romantic ballad "My Love". One possible reason for the renaming was that two songs on this album had been recorded by Paul, Linda, and Denny Seiwell during the Ram sessions; Denny Laine added backing vocals to one of these songs, but Henry McCullough was not on either. Among the unreleased songs recorded by Wings during the extensive sessions for this album (which stretched over seven months and two continents) was the Linda composition "Seaside Woman", which was finally released in 1977 (although credited to "Suzy and the Red Stripes"). Near the end of these sessions, in October 1972, Wings recorded the theme song to the James Bond film Live and Let Die, which reunited McCartney with Beatles producer/arranger George Martin. The uptempo song, released as a non-album single in the summer of 1973 (immediately after "My Love"), became a sizable worldwide hit and has remained a popular part of McCartney's post-Wings concert performances (often accompanied by pyrotechnics). That same year, McCartney released his first American TV special James Paul McCartney, which featured extensive footage of Wings but was savagely criticised by noted rock journalist Lillian Roxon. After a successful British tour in May-June 1973, Wings went right into rehearsals for the next album. However, Henry McCullough and Denny Seiwell left the band in August, at the end of rehearsals, leaving the McCartneys and Laine to cut what turned out to be Wings' most successful album, Band on the Run, at EMI's primitive 8-track recording studio in Lagos, Nigeria. The album went to #1 in both the United States and United Kingdom and spawned three hit singles: the rockers "Jet" and "Helen Wheels" (originally included on the U.S. album only) and the title track—a suite of movements recalling side 2 of Abbey Road. It also included "Let Me Roll It", which was seen as an affectionate impersonation of John Lennon's vocal style, and "No Words", the first song released by Wings that was co-written by Denny Laine (all Wings releases to this time were either Paul and Linda compositions or cover versions). Band on the Run enjoyed very positive critical reception and did much to restore McCartney's tarnished post-Beatles image among critics. After Band on the Run, Jimmy McCulloch, former lead guitarist in Thunderclap Newman and Stone the Crows, joined the band. The first Wings project with McCulloch was McGear, a 1974 collaboration between Paul and his younger brother Mike McGear, with session musician Gerry Conway playing drums. Warner Bros. Records chose not to play up the "Wings" angle in its marketing for McGear, and the album sold poorly. However, the sessions also generated a single credited to McGear's group The Scaffold, "Liverpool Lou", which became a top-10 hit in the United Kingdom. Shortly thereafter, Geoff Britton was added to Wings on drums, and the first recording session with the full lineup was held in Nashville, where the band stayed at the rural farm of songwriter Curly Putman Jr. The trip was memorialized in the 1974 non-album single "Junior's Farm", backed with a straight country track entitled "Sally G", the group's last release on Apple Records. During these sessions, Wings (with guest musicians Chet Atkins and Floyd Cramer) recorded a single that was attributed to The Country Hams entitled "Walking in the Park with Eloise," a song written years before by Paul's father James. The new lineup, which was once again just called Wings, started recording sessions in London in November 1974, then moved to New Orleans to complete the album Venus and Mars (1975), the first release from the group on MPL Communications, distributed worldwide by EMI (Parlophone in the United Kingdom, Capitol in the United States). The album topped the charts and contained the U.S. #1 single "Listen to What the Man Said", which also featured Dave Mason of Traffic on guitar and Tom Scott on saxophone. When the Venus and Mars recording sessions moved to New Orleans, Britton quit Wings and was replaced by Joe English. Like Denny Seiwell before him, English won the job at a secret audition before McCartney. McCulloch co-composed (with former bandmate Colin Allen) and sang one song ("Medicine Jar"); Laine sang lead vocals on a McCartney song ("Spirits of Ancient Egypt"); Paul composed and sang the rest. In the Autumn of 1975 Wings embarked on the Wings Over the World tour, starting in Bristol, which took them to Australia (November), Europe (March 1976), the United States (May/June), and Europe again (September), before ending in a four-night grand finale at London's Wembley Empire Pool. For this tour, added to Wings' stage act was a horn section consisting of Tony Dorsey, Howie Casey, Thaddeus Richard, and Steve Howard on horns, brass, and percussion. In between, Wings recorded Wings at the Speed of Sound, which was released at the end of March 1976, just prior to the U.S. leg of the world tour. It represented a departure from the prior Wings template in that each of the five primary members of the band (including Linda and Joe English) sang lead on at least one song, and both Laine ("Time to Hide") and McCulloch ("Wino Junko", again with Colin Allen) contributed songs. However, the two U.S. #1 singles, "Silly Love Songs" and "Let 'em In", were both written and sung by Paul. Four of the album tracks were played in the 1976 portion of the tour, which also included five Beatles songs. Laine sang lead vocals on several songs (including his old Moody Blues hit "Go Now" and Paul Simon's "Richard Cory"), and McCulloch on one ("Medicine Jar"), emphasizing that Wings was more than just Paul McCartney's backing band. One of the Seattle concerts from the American leg of the 1975–76 world tour was filmed and later released as the concert feature Rockshow (1980). The tour also spawned a triple live album, Wings over America (1976). After the world tour, and following the single release of a live version of "Maybe I'm Amazed" in early 1977, Wings took a break. Later in the year, the band started recording their next album in the Virgin Islands, but the sessions were delayed by Linda's pregnancy and then by the departures of both Jimmy McCulloch and Joe English. McCulloch, who joined The Small Faces, had difficulty handling the rock'n'roll lifestyle, ultimately dying of a heroin overdose in 1979. English later founded the Christian-oriented Joe English Band. Undeterred by their departure, Wings released the already-completed McCartney-Laine ballad "Mull of Kintyre", an ode to the Scottish Mull of Kintyre coastal region where McCartney had made his home in the early 1970s. Its broad appeal was maximized by a pre-Christmas release. It became a massive international hit, dominating the charts in Britain (where it was Wings' only #1 single), Australia and many other countries over the Christmas/New Year period. Ultimately, it became one of the biggest selling U.K. singles of all time. However, it was not a success in the United States, where the B-side "Girls School" received most of the airplay but barely reached the Top 40. The core trio of Wings then released the album London Town in 1978, a collection that sometimes included McCulloch and English. The album was a commercial success, although it became the first Wings album since Wild Life to not reach #1 in the United States (reaching "only" #2), but it featured a markedly softer-rock, synth-based sound. Laine co-wrote five of the album's songs with McCartney and sang two of them. "With a Little Luck" reached #1 in the United States and #5 in the United Kingdom, but "I've Had Enough" and "London Town" were commercial disappointments in both countries. Later in 1978, lead guitarist Laurence Juber and former Elton John drummer Steve Holly joined the band, restoring Wings to touring strength. In 1979, McCartney signed a new record contract, leaving Capitol, the company he had been with since he was a Beatle, in the United States and Canada and joining Columbia Records, while remaining with Parlophone/EMI in the rest of the world. Influenced by the punk and New Wave scenes, Wings abandoned its mellow touch and hired former Apple engineer Chris Thomas to help in the production process. The result was a somewhat less polished sound. This new version of Wings first released the disco-oriented single "Goodnight Tonight", backed by "Daytime Nighttime Suffering", which reached the top 5 in both the United States and United Kingdom. However, the subsequent album Back to the Egg, which was not favorably received by critics, sold disappointingly, at least when compared to its immediate predecessors. Still, it went platinum in the United States. It contained the Grammy-winning song "Rockestra Theme", the result of an October 1978 superstar session with members of Wings, The Who, Led Zeppelin, and Pink Floyd, among others. Two other singles were culled from the album, but both performed poorly on the charts. One album song ("Again and Again and Again") was composed and sung by Laine; the rest were Paul's. During much of 1979, Wings was inactive as McCartney worked on a new solo album (McCartney II) without the band. In November and December of 1979, Wings performed its final tour of the United Kingdom, once again adding the horns and brass section consisting of Tony Dorsey, Howie Casey, Thaddeus Richard, and Steve Howard. This tour climaxed with a massive "Rockestra" all-star collection of musicians in London in aid of UNICEF and Kampuchean refugees. Also during this tour, a live version of the McCartney II track "Coming Up" was recorded in Glasgow and became Wings' sixth and final U.S. #1 hit (as well as the last Wings single, although once again credited to Paul McCartney and Wings) the following year. Plans for a new Wings world tour were abandoned when McCartney was arrested for possession of about 7.7 ounces of marijuana at Tokyo airport on 16 January 1980. Other Wings members were questioned but not charged. Although McCartney was released from jail after 9 days, on 25 January, he was deported from Japan. As a result, the Japanese tour was cancelled along with other short-term plans for Wings. During 1980, Wings continued to demo some more tunes, and some work was done on a never-released "cold cuts" album of previously unreleased songs. However, as Wings continued to idle, Juber (in February 1981) and Holly left the band. Finally, on 27 April 1981, it was announced that Denny Laine also had left the group, and that Wings had disbanded. McCartney claimed that the band "parted in a friendly way.